I once made the comment that most of the entertainment today is in very unpleasant shape. The industries are trying to relive past glories, especially music and movies. Most of the money being made in the music industry is reissues, HDCD releases of illustrious titles, delux reissues, legacy reissues, offical releases of bootlegs, greatest hits, and any and all repackaging of classic albums. And they all consume well known, classic, gigantic name artists, because they know people will recall it. Because the majority of modern CDs, and modern artists aren’t of any genuine quality, they have to rely on the traditional stuff to invent money. The same can be said of the movies. It’s all sequels, prequels, remakes, and remodels.
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Accordingly, I was not thrilled when I heard a modern version of “Charlie and the Chocolate Factory” was coming out. When I learned it was a Tim Burton/Danny Elfman/Johnny Depp production, I was less skeptical. When I saw a trailer, I was eager. When I heard Danny Elfman was writing/composing the music AND doing the vocals, I was angry. The collaboration is ample, almost to the point of excusing all their pretensiousness and self-absorbtion… enough quibbling. On to the movie!
It holds many of Tim Burton’s staples; it is black, stark, eerie, and filled with the regular unnamable props, but he has allowed joy into the equation. The movie is grand better for it. There is rich color, specifically in the factory, to match the rich imagery and amusing comparisons of Willy Wonka. Depp is cast perfectly in this role, which is not really apparent unless you seek the movie. He is amusing, quirky, confused, and innocent; great different than the lustrous, strong character played by Gene Wilder in the new. The children who accept the golden tickets and their parents do a colossal job too. Perhaps my common fraction is the wild card, Danny Elfman. If you don’t know WHO Elfman is, you’re distinct to have heard his music whether in any number of cult classic 80’s films (Pee Wee’s Vast Adventure, Beetlejuice, Batman 1 & 2), his TV themes (The Simpsons), his musical-esque movies featuring his vocals (Nightmare Before Christmas– an absolute classic soundtrack), or his 15-plus years of work as the vocalist/writer/guitarist for 80’s heavyweight Oingo Boingo. “Charlie” is the 11th time Tim Burton has conventional Elfman as his composer, and this is arguably their greatest work together (though I pick “Nightmare Before Christmas”) .
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The movie itself is quite spicy, intriguing into parts of the Willy Wonka fable the orignal movie didn’t, relying more on the Ron Dahl book. Note: even the lyrics to the four Oompa-Loompa songs are the lyrics from the new. We learn that Willy became a chocolateer to spite his father and is forever shrinking by this falling out. An eventual redemtion of their relationship serves as a very obvious pro-family element. Best of all, it’s shipshape. Nothing negative, offensive, or disturbing is presented, meaning a green light for families and kids; a Ample plus. The spot of lacking special features is corrected here, but you can build a few dollars if you don’t mind a slimmer package. A tremendous, ample, fun movie.
Overall: 9 out of 10.
First off, yes, I am a fan of Tim Burton. I even occupy every one of his movies on DVD (though one or two of them I could live without) . But that’s not the point. The fact is, I respect his vision as an artist; and his ability to get such surrealistic worlds that are both unfamiliar and improbable are impartial enough why I idolize him.
Okay, now, some of you may wonder, if this is a lisp remake of the 1971 film Willy Wonka and the Chocolate Factory that starred Gene Wilder. Actually, no, even though it’s the same yarn opinion. The only inequity is that this film pays more homage to the book (Remarkable more homage) and is (of course) Incredible to scrutinize at. The storyline now, is simple enough (because I’m under the impression that a lot of people have seen the novel film) : Charlie Bucket (Freddie Highmore) is a boy from an impoverished family living under the shadow of a giant chocolate factory, who eventually wins a candy bar contest and is given a tour, along with four other children, of the astonishing factory urge by the eccentric Willy Wonka and his staff of Oompa-Loompas.
Performance wise, this movie belongs to Johnny Depp and Freddie Highmore, who are able to recreate their chemistry from Finding Neverland. However, quote: “Depp’s Wonka is far less cuddly than that of Gene Wilder, playing it more like a demented Mr. Rogers with more than a bit of a sadistic glide. The device that he watches the kids meet their fates with giddy glee is quite disturbing, but it’s hard not to savor this quirky hermit’s complete lack of social skills.”-Edward Douglas, [...] (sorry, but the guy explianed it perfectly) Also, I’d like to obvious this up out of my system before it does any more distress, but it seems A LOT of ….people are comparing Depp’s Wonka w/ a obvious pop star so considerable that it really fair sickens me. This assessment can be contradicted however. First reason (and this came from no other than Depp himself) : In an interview, Johnny said he had NO Contrivance whatsoever to unsuitable his character off of Micheal Jackson. Second reason: Willy Wonka is a recluse, so he’s supposed to be odd, odd, crazy, whatever. I mean, the guy shunned himself from society for 15 years so he’s going to be pale, out of style/trend, and a bit tedious. Also, throughout the movie, we’re shown flashbacks of Wonka’s past that are stale to account for his weirdness. There, extinguish of epic. Freddie Highmore’s Charlie is more sunless than the recent one, so great that you’ll want to hug him b/c he’s so optimistic depsite living such an impoverished lifestyle. Another performance nod goes to Deep Roy, who plays all the Oompa-Loompas w/ such panache. Everyone else is kindly in their performances.
Now, aesthetically, this film is amazing; in fact, this is Burton’s most visually striking film to date. He yet again creates such surreal and imaginative landscapes that it’s objective staunch stare candy to gape at; the factory rooms being the prime example. Some of the wacky machinery weak to execute candy is impartial as impressive and actually looks like it could work. Yet, as w/ the modern film, this film creates an atmosphere that could unnerve sensitive folks. The boat promenade down the chocolate tunnel is not the acid hump that was the modern, but rather like an intense roller coaster trot. Also, for those who have seen the fresh, the four kids who descend to their weaknesses (loosely speaking: gluttony, pride, avarice(that’s greed) and sloth) and punished for not heeding warnings are a bit more unsafe (thanks to the evolution of filmmaking) and view fatal, but are not.
Also, another treat in this film is to hear composer Danny Elfman (who has detached magnificent worthy all of Tim Burton’s films to date build for Ed Wood, which was scored by Howard Shore) divulge again. He sings all the Oompa-Loompa songs provided by the lyrics written in the book with such style that you can’t serve but tap your feet. For the relate, he also sung in Tim Burton’s The Nightmare Before Christmas.
Well, I bear I covered over everything. Overall, accurate faithful adaptation that surpasses the new in practically every device (sorry, but…my understanding) . Also, the ending is different, both from the book and the fresh film; but detached capable. This is also Burton’s best film next to Ed Wood and redeems him from his Planet of the Apes remake (what was he thinking w/ that? ) . Anyways, huge film: unbiased as wacky and zigzag as you might ask but nonetheless astounding to leer at and as magical as the current.
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